2021 Year of change.

For me the 2021 year was a time of transition, growth, fresh energy, and new directions. After 14 years working for Guy Harrison in Ottawa, I moved to Boston in April to start working as a full time restorer for Reuning & Son Violins. It’s an honor to be part of such a fantastic and knowledgeable team, and I am excited to be working on many fine instruments at the.. Read More

Maker’s Forum in Toronto

Last Saturday I was honoured to be part of the Maker’s Forum exhibition in Toronto. Contemporary violin makers and bow makers from Canada (34 on 37 participants) and abroad  were presenting their work. As a maker, this event was a great way to meet with musicians. I was able to discuss the instruments I had brought (a cello and a violin) and get their feedback. During the afternoon, Kerson Leong performed.. Read More

Making a cello

“Very nice cello, with a handsome varnish. The sound is well balanced with a deep and strong C string, which can be difficult to find in a cello. I also like the width and projection of the A string sound.” Paul Marleyn, Professor of Cello at the University of Ottawa www.paulmarleyn.com A musical instrument such as a violin, viola or cello is the result of an accumulation of decisions from.. Read More

Poplar cello

Cellos or Violas made with poplar or willow backs have a reputation for having a warm sound. These wood species were used throughout the history of violin making, and particularly in Cremona during the second half of the XVII century and the first half of the XVIII century. In his book, “The Secrets of Stradivari,” Simone F. Sacconi mentions that two fifths of Stradivari’s cellos still remaining, feature poplar or.. Read More