Tag: luthier

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Cello Awards

Last November, I was pleased to finish a cello in time to participate in the 23rd International Violin making competition held by the Violin Society of America (VSA) in Cleveland.

Among the 68 cellos presented, my instrument was awarded a Double Certificate of Merit :

-a Certificate of Merit for Tone by judges and cellists Dane Johansen, Jeffrey Solow and Brian Thornton.

-a Certificate of Merit for Workmanship by judges and violin makers Ulrike Dederer, Antoine Nédélec and Raymond Schryer.

It was a great achievement and honour to be rewarded for my work in this way. For a violin maker it is significant and meaningful to receive such distinction at this international level and to see the results of years dedicated work acknowledged and encouraged.

This event is also an excellent opportunity to acquire a representative overview of global contemporary instruments which were, in my opinion, quite remarkable in quality.  It also gives to participants the opportunity to discuss their individual work with the judges. Thank you and congratulations to everyone who took part in it!

I also wanted to personally thank Paul Marleyn, Rachel Mercer, and Raphael Weinroth-Browne for their time and useful feedback while adjusting the cello.

This 2018 Dequincey Cello has a body made of Canadian poplar and spruce. The maple neck and pear wood scroll are sourced in Europe.

Copyrights © 2019-2021 Charline Dequincey. All rights reserved.

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Maker’s Forum in Toronto

Last Saturday I was honoured to be part of the Maker’s Forum exhibition in Toronto. Contemporary violin makers and bow makers from Canada (34 on 37 participants) and abroad  were presenting their work. As a maker, this event was a great way to meet with musicians. I was able to discuss the instruments I had brought (a cello and a violin) and get their feedback.

During the afternoon, Kerson Leong performed on the 24 new violins exhibited. As part of a sonority test, Leong played the same excerpts on each one of them. He masterfully realized this challenging task, in my opinion. He was able to adjust wonderfully to each one of the instruments, performing over their full register. Interestingly, Leong’s consistent and methodical approach,   brought to life the individual qualities and character of each violin.

This experience was followed with a chamber ensemble, set up for the occasion, performing a Mozart quintet in C Major. The ensemble featured on violin: Jonathan Crow (Concertmaster of the Toronto Symphony Orchestra) and Kerson Leong ; on viola: Theresa Rudolph (Assistant Principal Viola of the Toronto Symphony Orchestra) and Madlen Breckbill ; on cello : Joseph Johnson (Principal cello of the Toronto Symphony Orchestra).

At the last minute some of the musicians decided to switch instruments between movements, using instruments from the exhibition. The change of colour with the different settings was quite noticeable, a good way to show how the choice/matching of instruments can affect the dynamic of the voices within an ensemble. After the exercise, I was honoured to learn that my 2016 Plowden/Del Gesù model violin was among the instruments selected to perform on.

Overall the event was well attended and quite a success. It was also a chance to see and catch up with peers. The standard of work was very high, and this made me proud to be part of it. 

I’d like to warmly thank the organizers for all their coordination work : Elizabeth Barbosa, Fany Fresard and Emanuel Euvrard.

Copyrights © 2017-2021 Charline Dequincey. All rights reserved.
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Poplar cello

Cellos or Violas made with poplar or willow backs have a reputation for having a warm sound. These wood species were used throughout the history of violin making, and particularly in Cremona during the second half of the XVII century and the first half of the XVIII century. In his book, “The Secrets of Stradivari,” Simone F. Sacconi mentions that two fifths of Stradivari’s cellos still remaining, feature poplar or willow backs. There are fine examples of those instruments in the collections of the Royal Academy of Music in London and at the Library of Congress in Washington DC.

A few years ago, I acquired some pieces of Canadian poplar which were quarter sawn for violin making use and big enough for a cello. Guy Harrison and I had built in 2009 a cello using European poplar, resulting in a very satisfying sounding instrument. As I was curious to try this other kind of poplar on a cello, I built one. In fact, the spruce used for the blocks and the front also came from Canadian forests, making the body of this instrument entirely Canadian sourced!

Cello patchesTo work with a different wood than the more common maple required that I take into consideration the differences in mechanical and acoustical properties. Accordingly, I adjusted the thicknesses in relation to the density of the wood. Then I measured the tap tones and weight, in order to adjust the final stiffness of the back as a free plate, using Nigel Harris’ method.

Some instruments with poplar/willow back features ribs made in a different wood than the back, such as ash or beech, matching the scroll. I used poplar for the ribs to match the back, and reinforced them with linen (a method also employed by Antonio Stradivari).

Copyrights © 2015-2021 Charline Dequincey. All rights reserved.
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Forum des luthiers / Maker’s Forum

Je suis heureuse d’annoncer que je participerai au Forum des fabricants organisé par la maison Wilder & Davis à Montréal le samedi 6 décembre. Ce sera une bonne occasion de revoir des collègues et de présenter au public montréalais un violon 7/8ième et un alto de ma facture.

Au programme également, un concert du « Quatuor d’occasion », un récital en duo composé d’Andrew  Wan et Jonathan Crow, suivit d’une démonstration de sonorité avec Frédéric Lambert.

Passez nous voir!

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I am pleased to announce that I will be participating in the Maker’s Forum organised by Wilder & Davis‘s workshop in Montreal this coming Saturday the 6th of December. The Forum will be a good opportunity to catch up with colleagues and present a 7/8th violin and a viola I made to Montreal’s public.

There will also be a concert given by the “Quatuor d’occasion”, a recital featuring the duo Andrew Wan and Jonathan Crow, followed by a sound demonstration with Frédéric Lambert.

Come visit us!

 

 

Forum des fabricants Montreal 2014